Art
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14.01.2026
I exhibited the works below last week in London with my friend and business partner, Goose Leigh. It may be worth saying that the exhibition had no title beyond Edit 01. This wasn’t a cop-out (we hope). Rather, it reflected that the show was an offering of an India we have encountered – and, in…
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Interview with Harleen Kaur, early June 2025
GV : What world(s) does your work want to exist in? HK : My works is deeply influenced by personal memory (but more recently I have been thinking/wanting to see what would happen if it meets at the intersection of personal memory and collective history – more specifically personal memory and how individual experiences carry…
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2O25. 2 – Arpita Singh, b.1937
‘This map is faulty, do not follow it’ is tucked into the border of My Lollipop City: Gemini Rising. In ‘Remembering’, the artist’s first solo outside of India, we are given permission to soar/drift/scuttle through an entire career. It is a complete pleasure, from the very moment after you pass this slightly confusing font. Singh’s…
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2025. 1
Thoughts and comments on the first chunk of 2025. It is a strange time to buy art in India. You could argue all appears robust and rosy; on Thursday (19th March) a new record for South Asian art was set by the ever more expensive MF Husain (13.7 million dollars); ambition is high; confidence is…
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Khan Shamim Akhtar, b.1994
Khan Shamim Akhtar lives in Mumbra, a sleeper town north of Mumbai. After the ‘Bombay Riots’ of 1992 and 1993, Mumbra was wrenched from an idyllic coastal town to a place of relocation and upheaval. Now it is home to an artist whose work takes on wider global concerns. This solo show is an exercise…
G J Varley Art 